A Wrinkle in Time

Nothing will ever beat the Chronicles of Narnia for me. There is my prejudice. However, I am starting to realize I must acknowledge its peers and competitors: this and the Dark Compass books, and later, perhaps, The Lord of the Rings, and maybe, when I am 50 or so, Harry Potter. Sawyer reads Madeleine L'Engle's story in 1x19: Deus Ex Machina, in his sexy Frankenglasses. That's right, I'm putting a picture of them up. Here.

A Wrinkle In Time is a pretty short, and very tightly written--alot of fantastic things happen without too much fanfare. We're set up with a sort of grumpy, but intelligent, teenage girl named Meg and her weird little family. In particular, her much-younger brother Charles Wallace seems to possess some extra-ordinary connections. Her mother and long-absent father are scientists. The book starts out with a bit of ambiguity about their work, but that is only so that the rest of the plot is all the more interesting. There are three witchy types( Mrs Who, Whatsit and, Which) who end up transporting our heroine, her brother, and a boy from her school to far-off planets, to save Meg and Charles Wallace's father who is trapped on a planet called Camazotz. This planet is consumed by"the dark thing" which also threatens to consume Earth, so our heroes get a chance to see what they must, in later books, save the earth from.

But how do they get around, you ask? Well, this is probably the most obvious Lost-esque element of the story. We found out gradually that Meg's parents have been working on the concept of "tesseracts", which are more or less the titular wrinkles in time of the story. By folding time, people and non-terrestial beings can travel very great distances very quickly, to other planets, especially. Yes, LOST's time-space continuum movement methods are blurry at present, but if they're as simple as this, then I say hooray.

One of my favorite fantastic conceits from the book is the planet of Camazotz. It was the classic industrial-type distopia: everyone does everything in unison--children bounce balls in perfect time, mothers call them in all at once, anyone who shows the slightest sign of weakness, like a common cold, is quietly exterminated, and creativity and self-expression are non-existent. I couldn't help but think of my favorite film, Brazil. Ok, that envisions a world where everything is supposed to be regimented but is in reality a huge mess...but well, I just like that thread that something that seems so ordered can be so deeply messed-up. So is this what the Island is protecting the world from? Is the black smoke anything at all like the black thing that looms over Camazotz? The Smoke Monster seems to have good reason for attacking the people it attacks on-island, but maybe it has bigger consequences.

Another important point brought up in the book is psychic communication. The evil ruler of Camazotz, "IT", speaks directly into the brains of our heroes, and eventually takes control of Charles Wallace. While plotting how best to save him, Meg, Calvin, and her father end up on a planet where eyeless, tentacled, fuzzy monsters engage in some less sinister mind-to-mind communication. While again (surprise!) we don't have hard evidence of psychic communication on the island, psychic powers do seem to be a strong theme, and communication could well be one of them.. could mind control be?

Finally, there's the cultural and intellectual milieu that this book is set in. One of the witchy types talks only in philosophical and artistic quotes, usually in different languages. One of the great evils of Camazotz is its lack of concern for art and beauty. The black thing threatens to sap the world of these things. Although I think that the conscious cultural reference thing is a parallel with LOST, I maybe resented them in a book intended for kids...I think LOST does it better. The one place where I didn't mind it, was in a quote from the Bible in the final chapter of the book...

"The foolishness of God is wiser than men; and the weakness of God is stronger than men. For ye see your calling, bretheren, how that not many wise men after the flesh, not many mighty, not many noble, are called, but God hath chosen the foolish things of the world to confound the wise; and God hath chosen the weak things of the world to confound the things which are mighty. And base things of the world, and things which are despised, hath God chosen, yea, and things which are not, to bring to nought things that are." —1 Corinthians 1:25–28

Sigh. Thanks, Bible. Now I am not saying that I think that the Losties are particularly foolish, but I think in a lot of cases they have shown themselves to be less than mighty. And thats a good thing: they might have the world to save from the hands of the mighty, after all.

Finally, this book ties science and magic and religious faith together, without any of them seeming particularly false or contradictory to one another. I think LOST does that too, with equal or exceeding panache, and it is pretty rare these days, so I really value it. Anyways. I think its definitely worth a read, if only because its not very hard and has a few really elegant images of other worlds. Yep. That's that.

I'm currently working on Stranger in a Strange Land. Here's a preview: I think its insidious. We will find out if that is the right word. I'm also trying to read Out of The Silent Planet. They are confusing themselves in my mind. Oh space travel. Adios.

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Carrie.

Dang, Carrie.
Stephen King's first book makes its first appearance in Episode 3x01 "Tale of Two Cities". The Other's book club is meeting to discuss it at Juliet's pad, and their bickering is interrupted by the cacophonous arrival of Oceanic Flight 815. It also appears in Juliet's flashback in 3x07 "Not in Portland" and is read by Ben in 3x16 "One of Us."

Here's the exciting news I have to report: Carrie the book is better than Carrie the movie, and probably applies a little better to LOST. The book and the film cover almost exactly the same material: the terrifying terrain of high school, hyper-Christian home-life, and telekinesis. However, the book gets inside of multiple characters heads by interspersing real-time narrative with fictional news articles and book excerpts which discuss the origins of Carrie's telekinesis and the impact of her prom blow-up.

Carrie, a misfit, gets her first period in locker room showers and other girls make merciless fun of her. The girls who made fun of her get in trouble. One of the teasers gets barred from the prom, and plots revenge. Another feels bad, and gets her boyfriend to take Carrie to prom. Carrie's mom is a crazy Christian who is obsessed with battling evil, especially in the form of sexuality, and is thus furious about Carrie's period, prom plans, and basically anything else she does. Oh yeah, and Carrie realizes somewhere in here that she can move stuff with her mind.

Bucking her mother's demands with teenage will and telekinetic force, Carrie goes to the Prom. Once there, she gets crowned Queen, gets pigs blood dumped on her head, gets laughed at and loses it, starting an electrical fire which more or less kills every prom-goers. She then goes home, starting some fires in the town along the way, and stops her mothers heart with her mind, but not before her mother stabs her, causing her to slowly bleed to death. Oof. Heavy stuff. Gorey. And tons of fun--Carrie lays it on thick with teenage angst, questions of good and evil, supernatural occurences, and some serious, but not senseless violence.

With the exception of teenage angst, all of these sound pretty darn Lostean. And we know that Stephen King is an unapologetic Lost fan whose also had some pretty serious influence on the show. The Carrie connections are less grandiose than The Stand's end-times battle or the multiple realities of The Dark Tower. What it comes down to, for me, is the "special child" thread which Stephen King and LOST both embrace. Walt's possible special powers come to mind, especially his apparent ability to appear in more than one place at a time.

But since she's a major player in the three episodes where we see the book, Juliet seems like a stronger candidate for a Carrie connection. Stephen King depicts Carrie as a social misfit both by nature and by situation, and lets us sympathize with those who have cast her out at times ...though the book follows Carrie, we never really get inside her head. We know that her actions aren't all bad (she's getting some rightful revenge) or all good (she's hurting tons of innocent people). This seems to me much like the way we can't be certain of Juliet's motives, and feel ambivalent about them even when she seems to explain them...or does she? Furthermore, Carrie focuses a ton on the danger of female sexuality--Juliet's life's work involves fertility, an important part of that sexual equation. Plus, yo, Juliet's kind of creepy, pretty unhappy, and one time she willed that her ex-husband get hit by bus, and lo and behold, he did. She's proved that she could be a powder-keg, in a manner of speaking, if the circumstances were right.

That said I think there could also be some special child stuff going on with Hurley, Ben, or even Alex. Alex, especially, since I saw her recently on an episode of That's So Raven as a telekinetic kid. Eerie.

But I digress. In addition to the "special child" theme, I can see the Terrible Parent (a mother instead of a father this time around), extremes of good and evil and the space between them that the most people occupy, and the news reports, interviews, and book excerpts which effectively let the reader flash back and forward, as pretty Lost-like.

So that's it. I don't (at this point) think that this book is going to be any real key to the show, but its got character, thematic, and literary style connections, plus its fun. I like to say that what little Stephen King I have read is sort of like a bag of potato chips--you can devour it all at once, and you feel a little gross afterwards, but it sure was tasty while you were eating it. And that while you were reading it, at least, it made you feel like you were smart for understanding the dilemmas at hand. Not unlike Lost, in some respects.

p.s. Emilie de Ravin was in a 2002 TV remake of Carrie, as the girl who plans the pigs blood stunt...hmm... bad sign for her?

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