Showing posts with label technology. Show all posts
Showing posts with label technology. Show all posts

Wednesday, August 1, 2007

Island: Will Tantric Yoga save the world?


This is a tough one. Aldous Huxley's Island than a little bit pontificating, so its going to be sort of hard to talk about it as though it had a plot. But it's definitely food for Lost thought. isn't excellent--it's kind of manifesto-ish and moreThe novel is set on the Southeast Asian island of Pala, which is the namesake of the "Pala Ferry" mentioned in the Pearl Station Orientation video and the General Orientation video in Ben's flashback. Its unused dock is where Michael's boat takes off from (and where Jack, Kate and Sawyer are bound, gagged and hooded) at the end of Season 2, and where Sayid and Co. dock their boat at the beginning of Season 3. Still, even with all the action going on around it, (surprise, surprise) it's not entirely clear what the Pala Ferry is...it seems to have taken Dharma members from station to station and possibly from island to island.

Aldous Huxley's Pala is a little bit more clearly defined. The book serves as a corrective to the dreary distopia of Brave New World by presenting a working utopia that benefits from a synthesis of western science (especially medicine) and eastern spirituality (especially Buddhism). We learn about Pala from its inhabitants alongside a British journalist who has been sent there to scope out its oil resources for his boss (hello Widmore?) but who ends up getting pretty enthralled by what the Island has to offer. What is that exactly? Aside from the initial thrill of learning how much the Island inhabitants value tantric yoga, there are also carefully administered magic mushrooms, Mutual Adoption Clubs where children aren't tied to one set of parents for their whole childhood, and shared communal duties, both physical and intellectual, which strengthen all of the society...there's a really nice little jab at Western intellectuals who study one thing to the exclusion of others and become gross little blobs instead of whole people.

Of course there's a little bit of conflict thrown in for good measure...the soon-to-be rightful ruler (of a ruling family that had control over the island since before this utopian period) and his over-bearing mother, aware of the money they can get from selling off Pala's lucrative oil reserves, are about to really ruin things by cutting a deal with a nearby island that has westernized too fast, leaving a huge gap between the haves and have nots. Having something like this to be in opposition to makes the smooth functioning of Pala all the more appealing.

This could be a really great story, I think, but as it stands, it reads more as Huxley's own musings on the ideal society. And hrm..how do I put this? I am a little skeptical. And not only because the book was constantly proposing Buddhism-based alternatives to Western Christian attitudes about the way society should be. I will digress here: it is a noble effort for someone, like Huxley, so concerned with the problems of Western civilization, to offer an alternative, but the fact remains that he is a Western thinker and can't completely explain or understand Buddhism. Anyways, I'm skeptical because I think that any working utopia is going to seem a bit far-fetched. It requires too many people to be in sync with each other, or else it has to be so self-contained (as in the case of this island), that it hardly seems like a viable solution for the rest of the world. Which I guess is okay, if a little sad. Plus, dystopias are just so much more fun!

In the end, Pala's new ruler sells the place out for that all too-tempting oil money which he can use to buy himself happiness, by way of material posessions (like scooters purchased from catalogs). Although I hadn't bought into the Pala utopia wholesale, it's easy to see how depressing it is to give up a mellow and equitable society for industrialization, pollution, and gross economic disparities. But the ending of the book seems to suggest that, though the society was destroyed, it lingered in the hearts and minds of its adherents nonetheless.

So where's Lost in this? The Palan establishment is probably just a teensy bit like Dharma, which has ideals and goals that are intellectual, spiritual, and community-building in nature. Admittedly, its not working as well as Pala was (with folks like Roger assigned to one duty that just pissed them off), but maybe the name was chosen in a spirit of high hopes bythe Dharma Initiative.

Then there's the threat of big oil spoiling the fun. Although it doesn't seem like its going to be Big Oil, the corporations who are threatening to ruin the Lost Island(s) seem to want something, and maybe want to send others in to do it for them. I think its entirely probable that some of the Losties could be unwitting pawns for the Bad Guys who are also capable of being turned to the preferability of Island Life (like the reporter character in Island). At the same time, somebody had an inside man (a native son like Pala's ruler) in Dharma once: Ben. Although of course, the Hostiles were around before Dharma was...nonetheless, the crossing paths of the outsiders accepting a society that they were originally sent to hate, and of the natives betraying it are an important part of the big Lost Puzzle.

All that said, I think it's time to admit that the Others/Dharma/Hostiles/Natives jumble has gotten me so mixed up that the more times I allude to it, the less I know what I'm talking about.
Recently Aurora pointed out to me that I was operating on the assumption that the Hostiles (specifically Richard Alpert) were the good guys. And I said oh yeah, he is pretty evil, and I was embarrassed. But really, I think that the "special properties" of the Island have been protected by something good(?) for some time (as in centuries)...does that mean that there's been a bad around all this time too? Oh, man, I cannot wait for some of the Island mythology. If only for the simple fact that I could chase it around in my head for weeks and never get anywhere on my own.

Finally, in fun Huxley facts from Wikipedia, this was Huxley's last book, written after he was diagnosed with cancer. Near to death, he asked his wife to inject him with LSD, which much like the magic mushrooms in Island, eased his mind in his dying moments. His death got little public mention, though, as he died on the same day as President Kennedy and...get this..C.S. Lewis!
I love C.S. Lewis.

On that note, adios. I'll be dropping by for a short post on The Girl Who Loved Tom Gordon soonish. I've started Our Mutual Friend (oof!) and want to finish the RansomTrilogy and talk Lewis a bit. Aurora should be doing a bit on literary and cultural threesomes (um?) and what they can tell us about looking at Jack/Kate/Sawyer. I for one, am looking forward to it.
Bye!

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Tuesday, July 17, 2007

The Wizard of Oz: I can't come back, I don't know how it works!

What can really be said about The Wizard of Oz that hasn't already been said?
Not too much, especially since its not all that complicated of a book, and most of what people say sort of ruins the fun. Besides, its lasting fame is due just a little more to the 1939 movie then to the 1900 book. LOST , for one, references a line from the movie in one of its most awesome episodes: 3x20: "The Man Behind The Curtain". In the book, after all, he's behind a wood screen, not a curtain. And the red shoes on a man buried under rubble that Desmond sees in Flashes Before Your Eyes come from the movie--in the book they're silver.

In the interest of not rehashing a plot that anyone with much interest in popular culture probably knows, I'll talk about where I saw connections and had questions, giving a little bit of thought to the differences between the film and the book.

One of the best things about The Wizard of Oz in any form is the well-developed characters and their interactions with and concern for one another. Along the way they all demonstrate that the gifts they seek are already inside of them. Sound familiar? Well, I think so.

I was really trying to develop some theory of who was who in the merry band. Some have lovingly lined up the characters with Michael/Jacob's list for the Others --Kate, Hurley, Jack, and Sawyer are Dorothy,The Cowardly Lion, The Tin Man, and The Scarecrow respectively (thanks, Lostpedia). I'd totally get behind Hurley as the Cowardly Lion--he has a lot to offer but has some trouble doing it, as he showed in the last few episodes of Season 3. Other than that, I pretty much disagree. I think Sawyer's the most like the Tin Man. In the book, particularly, the Tin Man goes back and forth between making sure not to step on cute little bugs and (on multiple occasions!) decapitating beastly enemies that threaten his comrades. Sawyer, in his own words, is "a complicated guy, sweetheart." He's maybe the biggest romantic on the show, but he's also probably the most hardened by his pre-island situation. Plus, he comes through in a pinch. I think the one connecting factor between him and the Scarecrow is his straw-y hair. So who do I think is the Scarecrow? Hm. I'd really like to give this to Jack. He's a know-it-all, he's bossy, and um, just dumb sometimes. There are also times when he's a good leader, and his brand of bravery pays off. Similarly, when the Wizard of Oz leaves, he leaves the Scarecrow in charge of the Emerald City...Hm. Is someone going to put Jack in charge?

Which brings us, rightfully so, to the love of my life, John Locke. Sigh. He can probably be the Scarecrow too--he's wrong as often as he's right, but when he's right its pretty useful. But I'm going to have to make a weird case. I think he's Dorothy. Sorry Kate, being pretty and a girl isn't going to cut it. So here's why: Dorothy is in a different position than the others in her little band. She's more curious and more amazed by the entire world of Oz because she is truly a stranger to it. For her, the whole trip is an exploration. Nobody has picked up on seeing the Island as a fascinating new world to explore more than Locke has. For another thing, Dorothy has the power of the silver/ruby slippers pretty much from the get-go. Locke's got something going on in the magic department early on too, with his miraculous ability to use his legs and all. And...although Locke doesn't want to go home and Dorothy really does, both of them are interested in asking the big questions and getting sufficient answers. I'd also like to make the case that Dorothy infiltrated the Wicked Witch's castle most successfully since the Wicked Witch can't touch her due to the shoes, and that Locke most successfully infiltrated the Others and wasn't touched for similar reasons (they might have been a humbug, of course). But well, does that fall apart when Ben pits him? Maybe. Ok, there's my wacky little assessment.

That takes us to titular Wizard. Aside from some physical resemblance to Locke (short and bald!), I'm going to argue for a split bill between Ben and Jacob. The case for Ben is that he's definitely keeping some things for the Losties, and, as evidenced by the tumor and the ensuing mess he gets into with his fellow others, he doesn't have as much power as he'd like to make it seem. Be that as it may be, he's still the boss, even if he's pulling some humbug. So why'd he call himself Henry Gale--wouldn't he be more aptly named Mr. Marvell? I know, its not a one-one correlation, but I must think about it.

I'm going to throw Jacob into the mix now. I know that The Wizard, the Man Behind the Curtain, is a humbug, but there's plenty of real magic in Oz too. In the book, particularly, The Wizard makes himself appear in different forms to the different visitors--to Dorothy, a giant head, to the Scarecrow a beautiful woman, and so forth. I'm on the "Jacob appeared as an older Locke" train, and the smoke monster appears to people in different forms, I think the idea that different people see the Wizard differently ties in well. If Jacob/The Island/The Smoke Monster is being controlled, who's making Jacob appear the way he does?

So is there really a humbug in The Wizard of Oz? Clearly--in the book, everyone in the Emerald City wears green glasses so that everything will appear green, and the Wizard is a fake. But there's plenty of real magic in the Land of Oz too--heck, there's a living scarecrow, flying monkeys, and magic shoes! I think its sort of the same on Lost. There's certainly some humbug going on, but there's magic bigger than the humbug too.

And ooh! Who reveals the Wizard in the book and film? Toto! Who makes sure that "nothing stays buried on the Island for long"? Quite arguably, good old Vincent! Hooray for the weird dog as plot device!

There are a couple of other loose ends--The name Oz recalls the poem Ozymandias, which is about pride and the fall of empires and which.... everybody loves! It comes up in other LOST influences like the Watchmen, and Lost's four-toed statue has been seen as a reference to the broken-down statue of the ancient king. In the Wizard of Oz, likewise, The Wizard is the ruler of an opulent city at the center of a much simpler kingdom. The story has been seen as a populist fable (which I don't want to spend much time on, really)... are the tyrants supposed to be falling in LOST and is the common man to be championed? Well, I hope so, but I'm not really counting it. The rise and fall of empires is fascinating, no matter.

There's also this experiment I got to in my Wikipedia searching. Make of it what you will. But the whole human-technology interaction thing rings a bell with me. And of course, it's mighty nifty that Oz is a nickname for Australia. I'm sure you got that, but its fun.

Thats all I've got. I think the Wizard of Oz is totally relevant--it presents a cool mythology but relies on character development, it employs both real magic and slight of hand, and it keeps getting at that question: who's in charge and what does it mean for the little guy? Read it, watch it... enjoy it. In the mean time, I'm still working on the Ransom Trilogy. I love C.S. Lewis, you know. Aurora will be working on Harry Potter for a good while... so it might be a few weeks. In the mean time... read!

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